[ANPPOM-Lista] Euromac 9: The deadline for submissions is extended to 15 December 2016

Claudio Vitale claudiohvitale em usp.br
Qua Nov 16 11:26:01 BRST 2016


Bom dia,

Repasso esta informação sobre um importante congresso em análise musical
que acontecerá em Strasbourg, França, em Junho do ano que vem. A data
limite para envio de propostas é o 15 de dezembro de 2016...

Cordialmente,

Claudio
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The deadline for submissions is extended to 15 December 2016.

The 9th European Music Analysis Conference (EuroMAC 9) will be held in
Strasbourg from 28 June to 1 July 2017.

It is organised by the University of Strasbourg’s GREAM Research Centre and
the French Society for Music Analysis (SFAM) with the support of the
European societies for music analysis.

This international conference will be a key event in the field of music
analysis and associated fields and will bring together researchers and
other eminent academics from around the world.
A call for papers is now available and we are particularly keen to receive
proposals in keeping with the themes of the conference.

The first European Music Analysis Conference was held in 1989 in the city
of Colmar (France); the 2017 conference thus returns to Alsace, a region
with a rich cultural past and one of the areas where the humanist movement
took root and flourished.
Previous meetings were held in Trento (1992), Montpellier (1995), Rotterdam
(1999), Bristol (2002), Freiburg im Breisgau (2007), Rome (2011) and Leuven
(2014).

EuroMAC 9 is calling for submissions in the following formats:
- Pre-organised sessions,
- Spoken papers,
- Poster presentations.
Proposals should be submitted in one of the four designated conference
languages, i.e. English, French, German or Italian. They should not exceed
400 words (see the presentation instructions given for each type of
proposal).

Proposals can be submitted via the EasyChair online conference management
platform: https://easychair.org/conferences/?conf=euromac9

EuroMAC 9 wishes to encourage proposals for original and innovative
contributions on music analysis from a wide range of perspectives. However,
special attention will be given to proposals that address the conference’s
suggested themes.


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