[FWD cdmc] - 46/2006 -

Sex Dez 29 18:48:55 BRST 2006

FWD cdmc - 46/2006

Centro de Documentacao de Musica Contemporanea

CDMC-Brasil/UNICAMP http://www.unicamp.br/cdmc/
(membro da IAMIC - The International Association of Music Information
Centres)

Diretora: Profa. Dra. Lenita W. M. Nogueira

Producao e Montagem do FWD cdmc: Denis Koishi (estagiario)

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Noticias somente em texto simples, sem figuras nem tabelas, enviar a:

cdmusica em unicamp.br

Para receber/cancelar o recebimento do FWD cdmc enviar seu pedido a
cdmusica em unicamp.br

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CDMC-Brasil/Unicamp

2006

patrocinio

P E T R O B R A S

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1 -        BOLSAS: CAPES-CNPq-DAAD - Doutorado na Alemanha (23/Fev/2007 -
Brasilia, DF) <#_Toc155150989>

 2 -        CALL FOR PAPERS: "2007 Echo Conference: Music and the Self"
(01/Mar/2007 - Los Angeles, CA, EUA) <#_Toc155150990>

3 -        CALL FOR PROPOSALS: Electroacoustic Music Studies -"The
'Languages' of Electroacoustic Music" (02/Jan/2007 - Leicester, REINO
UNIDO)<#_Toc155150991>

4 -        CALL FOR SUBMISSIONS: "Music of the Americas: A Transcontinental
Conference" (07/Jan/2007 - Denton, TX, EUA) <#_Toc155150992>

5 -        CONCURSO: Professor Assistente (Ritmica / Percussao Erudita),
UNICAMP (02-26/Jan/2007 - Campians, SP, BRASIL) <#_Toc155150993>

6 -        CONCURSO: "Gianni Bergamo Classic Music Award" (30/Abr/2007 -
Lugano, SUICA) <#_Toc155150994>

7 -        CONCURSO DE COMPOSICAO: Sayat Nova 2006. HERNAN DARIO PALMIERI
(ARGENTINA), 3o. Premio (17/Dez - Paris, FRANCA) <#_Toc155150995>

8 -        CONCURSO DE COMPOSICAO: "Quinteto Amizade". NIKOLAI ALMEIDA
BRUCHER, vencedor (17/Dez - Brasilia, DF) <#_Toc155150996>

9 -        CONCURSO DE COMPOSICAO: "Prof. IVAN SPASSOV" (31/Out/2007 -
Plovdiv, BULGARIA) <#_Toc155150997>

10 -      CURSOS: Accademia Superiore "Citta della Musica e del Teatro"
(2007 - Pescara, ITALIA) <#_Toc155150998>

11 -      CURSO DE ESPECIALIZACAO: Educacao pela Arte com Enfase em
Inclusao, Universidade do Vale do Sapucai (01/Fev/2007 - Pouso Alegre, MG,
BRASIL) <#_Toc155150999>

12 -      MASTERCLASSES: EDSON ELIAS (piano). (Abr, Jul e Ago/2007 - Paris,
Nancy, Courchevel, FRANCA) <#_Toc155151000>

13 -      ONLINE JOURNAL: "Gamut", Music Theory Society of the Mid-Atlantic
- http://newfoundpress.utk.edu/gamut (Dez/2006 - Knoxville, TN,
EUA)<#_Toc155151001>

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1 -          BOLSAS: CAPES-CNPq-DAAD - Doutorado na Alemanha (23/Fev/2007 -
Brasilia, DF)

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From: [mailto:anppom-l-bounces em iar.unicamp.br] On Behalf Of carlos palombini

Sent: sexta-feira, 15 de dezembro de 2006 19:21

Subject: [ANPPOM-L] bolsas CAPES-CNPq-DAAD de doutorado na Alemanha

DOUTORADO NA ALEMANHA ABRE INSCRICOES

Estao abertas, ate o dia 23 de fevereiro, as inscricoes para bolsas de
doutorado em instituicoes de ensino superior na Alemanha. As bolsas sao
oferecidas pela Capes, em parceria com o Conselho Nacional de
Desenvolvimento Cientifico e Tecnologico do Ministerio da Ciencia e
Tecnologia (CNPq/MCT) e o Servico Alemao de Intercambio Academico (DAAD). Ha
vagas para doutorado pleno e doutorado-sanduiche.

http://www.capes.gov.br/capes/portal/conteudo/10/N01_15122006S.htm

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2 -          CALL FOR PAPERS: "2007 Echo Conference: Music and the Self"
(01/Mar/2007 - Los Angeles, CA, EUA)

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From: anppom-l-bounces em iar.unicamp.br [mailto:
anppom-l-bounces em iar.unicamp.br] On Behalf Of carlos palombini

Sent: quinta-feira, 21 de dezembro de 2006 15:04

Subject: [ANPPOM-L] CFP: 2007 Echo Conference: Music and the Self

CALL FOR PAPERS

2007 Echo Conference: Music and the Self

June 1-2, 2007

University of California, Los Angeles

Over the past two decades, music scholarship has become increasingly
interested in issues of gender, class, race, sexuality and other aspects of
identity. These new scholastic directions have created exciting new avenues
for scholars to examine the ways in which music plays a role in both the
formation and expression of personal subjectivity. With this framework in
mind, Echo: A Music-Centered Journal is pleased to announce its second
annual conference, "Music and the Self", to be held at UCLA on June 1-2,
2007. Scholars from all areas of music research are invited to submit
proposals for papers on this theme; proposals for pre-arranged panels are
also welcome. Papers will each be twenty minutes long (~2400 words) followed
by ten minutes for discussion.

Individual presenters should submit an abstract of 300 words or less, and
should also include: 1) the paper title; 2) the author's name and a brief
biography (50-100 words); 3) institutional affiliation and contact
information; 4) audio-visual requirements. Panel chairs should include all
of the above for each member of the panel, as well as a separate, more
general description of the panel's overall theme (200-250 words).
Submissions may be sent electronically to echoconf at ucla.edu (please put
"Echo Conference Submission" in the subject line). Alternately, print
submissions may be sent to:

Echo: A Music-Centered Journal

Attn: Kelsey Cowger

Department of Musicology

University of California, Los Angeles

Box 951623

Los Angeles, CA 90095-1623

Submissions are due March 1st, 2007.

Echo: A Music-Centered Journal is an interdisciplinary, peer- reviewed
journal created and edited by graduate students in the Department of
Musicology at the University of California, Los Angeles. Since our first
issue in fall of 1999, we have published biannually and welcome submissions
and project proposals throughout the year. Echo is an entirely web-based
journal, and can be accessed free of charge by any online visitor. All
issues can be found at

http://www.echo.ucla.edu.

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3 -          CALL FOR PROPOSALS: Electroacoustic Music Studies -"The
'Languages' of Electroacoustic Music" (02/Jan/2007 - Leicester, REINO UNIDO)

********************************************

From: Elizabeth Hinkle <ehinkle em UNT.EDU>

Date: December 21, 2006 3:11:40 PM GMT-04:00

Subject: [IAWMLIST em UNT.EDU] Fwd: Final call EMS07

Reply-To: Elizabeth Hinkle <ehinkle em UNT.EDU>

CALL FOR PROPOSALS

Electroacoustic Music Studies Network (EMS)

International Conference Series - 4th Conference 'EMS07' June 12-15 2007, De
Montfort University, Leicester, UK

"The EMS Network has been organised to fill an important gap in terms of
electroacoustic music, namely focusing on the better understanding of the
various manifestations of electroacoustic music. Areas related to the study
of electroacoustic music range from the musicological to more
interdisciplinary approaches, from studies concerning the impact of
technology on musical creativity to the investigation of the ubiquitous
nature of electroacoustic sounds today. The choice of the word, 'network' is
of fundamental importance as one of our goals is to make relevant
initiatives more widely available." (www.ems-network.org)

EMS07 - Electroacoustic Music Studies - Conference Theme:

The 'languages' of electroacoustic music

Conference Committee

Marc BATTIER (MINT-OMF, Universite de Paris-Sorbonne)

Simon EMMERSON (MTI, De Montfort University, UK) Leigh LANDY (MTI, De
Montfort University, UK)

Daniel TERUGGI (INA/GRM, Paris)

12-15 June, 2007 - De Montfort University, Leicester, UK

The EMS conference is organised yearly through the initiative of the
Electroacoustic Music Studies Network, an international team which aims to
encourage reflection on the better understanding of electroacoustic music
and its genesis, appearance and development over the span of a century.  The
organisers are all engaged in the key areas of debate and actively seeking
the development of solutions. The first conference, in October 2003, was a
result of the initiatives of De Montfort University (UK), the University of
Paris-Sorbonne (France), and INA/GRM (France).   It took place at the
Georges-Pompidou Centre in Paris, within the auspices of IRCAM's Resonances
2003 festival. The second conference took place in October 2005 in Montreal
in collaboration with Concordia and McGill Universities and the Universite
de Montreal. The third takes place in October 2006 Beijing, China in
cooperation with the Electronic Music Association of China's (EMAC)
MusicAcoustica 2006 Festival.

As of 2006, thanks to a collaboration with ISAST (International Society for
the Arts, Sciences and technology) and OLATS (Observatoire Leonardo des Arts
et Technosciences), a Leonardo-EMS prize will be given to a selected
communication of an early career researcher for publication of the paper in
Leonardo (MIT Press).

The 4th Conference will start on the evening of Tuesday 12th June 2007
(registration will be from 18.00, welcome and opening concert at 20.00) and
conclude in the late afternoon of Friday 15th June. The conference will be
preceded by a one day workshop (free to participants), 'New Protocols in
Electroacoustic Music Analysis' on Tuesday 12th June 09.30-18.15 (see
details below).

Organisation of the EMS07 Conference

Music, Technology and Innovation Research Centre, De Montfort University
(UK) in collaboration with members of the EMS Network.

The theme of EMS07 is:

The 'languages' of electroacoustic music

While the theme of EMS06 (Beijing) concentrated on a crucial aspect of
language, namely terminology and attendant questions of translation and
local knowledges, EMS07 (Leicester) aims to look at some perennial questions
of language and analysis with respect to the electroacoustic field. Are
there parallels with how language works or is this an unhelpful metaphor?
There have been many different approaches to analysing works in an attempt
to find out 'rules' (a 'syntax') common to a composer, genre or culture.

In 2007 it will be twenty-one years since the publication of The Language of
Electroacoustic Music (edited by Simon Emmerson) (Macmillan (UK) & Harwood
Academic (USA), 1986). This brought together writings on a cluster of ideas
around electroacoustic music 'language' - such as spectromorphology, sound
symbolism, soundscape-landscape, 'abstract and abstracted' syntax, and the
influence of (then recent) developments in computer technology on language.
Have any of these strands 'come of age' in the intervening years? Much has
challenged many of the definitions and assumptions of the 1980s:
hybridisation with other musics (techno, non-western) and new technologies
(audio-visual); new listening habits, venues and media of dissemination and
exchange; the identity of the work itself may be open form, fluid,
real-time. And then there are the increasingly blurred distinctions of
composer and performer, venue and studio, 'live' and 'machine', performance
and installation. Finally the emerging and emergent properties of the
internet as both source and site of new developments. But are these
developing new 'languages'? Do these new musics 'express' anything new?

Keynote speakers

Denis Smalley (City University, London)

Katharine Norman (Pender Island, BC)

Topics and keywords for paper proposals EMS07 (Leicester)

None of these is exclusive, any may be combined, others added. Critiques of
the terminology, categories and assumptions made in this list will be
perfectly acceptable.

Analysis:

- What types of discourse are relevant to electroacoustic works?

- What analytical methods are currently being developed?

- Can one adapt existent analytical methods of music to elec¬troacoustic
works, many of which involve no prescriptive notation?

- How can we further develop the field of study of electroacoustic musics?

Transcription and representation of sound, new audio-visual tools:

- How are analytical tools being produced and disseminated in the community?

- What means are available for communicating the sonic form through symbolic
and graphic representations?

- Does the study of electroacoustic musics require specifically designed
tools or can it take advantage of methods conceived for other musics?

Taxonomy, terminology - 'meaningful' units of music description:

- What systems of classification are in use or should be developed?

- How can we become more consistent in our use of terminology in a field as
dynamic as electroacoustic music?

Real-time music making:

- How can live performance/composition strategies be analysed?

- What is 'live' electronic music?

Performance, presentation, dissemination:

- What is the 'work'?

- New presentation spaces, technologies.

- Internet communities, group compositions and performances.

Listening, Intention-Reception:

- Issues of perception and interpretation.

- How do the composer's intentions relate to what is perceived?

Semiotics/semiology, 'meaning':

- What (and how) do different electroacoustic music genres express?

Soundscape, sound ecology:

- Analytical tools for the understanding of soundscapes.

- New approaches to sound ecology, sonification, sound environment.

Genres/styles, 'languages':

- Questions of unity, diversity, plurality, multicultural resources,
polystyle, hybridisation, 'local music'

Gender issues:

- Have gender balances shifted in the last twenty one years?

- The relationship of technology and electroacoustic music to gender.

- Unrecognised contributions: revising history.

Furthermore …

Proposals concerning any other themes related to electroacoustic music
studies, such as sources and resources are most welcome.

Guidelines for submission of proposals for presentations

The duration of each paper will be 20 minutes (not including the question
period of about 10 minutes).  The papers will be given in English or French.
Multimedia support will be provided in the form of video projector (for
laptops), overhead projector, CD and DVD player, internet access and stereo
sound system.

Submissions are to be made electronically to info em ems-network.org

A submission must consist of -

- The paper proposal abstract (in English or French, 1,000 words maximum),
headed with your name, organisation affiliation (if any), contact address,
telephone, and preferred e-mail address;

- Curriculum vitae (including a list of publications);

- Brief biography (150 words maximum).

The abstract should be ready for publication if the proposal is accepted.

A programme containing the paper abstracts will be available in advance on
the EMS website and distributed at the conference.

Submissions from research students and early career postdoctoral researchers
are particularly encouraged.

Dates

Deadline for receipt of proposal for presentation: Tuesday 2 January 2007

Paper acceptance decisions will be emailed to applicants on Saturday 13th
January.

The full conference programme will be available late January 2007.

Publication

Accepted papers will be published on the Electro-Acoustic Music Studies
Network website www.ems-network.org

Pre-conference workshop - free to all conference participants

Tuesday 12th June 2007 09.30-18.15

'New Protocols in Electroacoustic Music Analysis'

(This workshop is funded by an ICT-Network award)

Within the area of electroacoustic music analysis we are seeing new, highly
dynamic approaches being developed using ICT that aid in the greater
understanding of musical content and intention. These include: interactive
analytical tools; use of multimedia/hypermedia in analysis and presentation
of analytical results; documentation of non-prescriptive notated
composition; the intention/reception approach - triangulation; and
computational approaches to electroacoustic music analysis. This workshop
will allow participants the opportunity to be have hands-on access to some
of the tools being developed. A round-table discussion with the invited
specialists (one or more representing each of the fields mentioned above)
would be held to investigate where we think we are in terms of
electroacoustic music analytical methods and where we think we should be
going.

Timetable:

09.30-10.00 Registration for those attending the workshop;

10.00-13.30 Invited guests introduce their ICT-based methods;

14.30-16.30 Parallel hands-on demos of all systems;

16.45-18.15 Round table discussion with participant feedback.

Invited guest presenters:

Prof. Michael Clark (Huddersfield) - interactive composition/Sybil software

Prof. Barry Truax (Simon Fraser University) - production
documentation/hypermedia publications

Prof. Eduardo Miranda (Plymouth University) - computational analysis

Yann Geslin (INA/GRM-Paris) - multimedia/Acousmographe system

Dr. Pierre Couprie (MINT/Sorbonne & MTI/DMU + online publication -
Musimediane) - hypermedia publication of analytical results

Dr. Kate Stevens (MARCS/Univ. of Western Sydney) intention/reception from a
music psychology point of view - new ICT-based metrics

Registration for this workshop will be part of the registration for the
EMS07 conference. Details will be available from January 2007.

Simon Emmerson

Professor of Music, Technology and Innovation

Faculty of Humanities

De Montfort University

Leicester LE1 9BH

Tel. 0116-207-8238

email: S.Emmerson em dmu.ac.uk

http://www.mti.dmu.ac.uk/

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4 -          CALL FOR SUBMISSIONS: "Music of the Americas: A
Transcontinental Conference" (07/Jan/2007 - Denton, TX, EUA)

********************************************

From: [mailto:anppom-l-bounces em iar.unicamp.br] On Behalf Of carlo palombini

Sent: terca-feira, 26 de dezembro de 2006 15:55

Subject: [ANPPOM-L] CFP: Music of the Americas: A Transcontinental
Conference

FINAL CALL FOR SUBMISSIONS

Music of the Americas: A Transcontinental Conference

February 24, 2007

University of North Texas, Denton, TX

J. Peter Burkholder, Keynote Speaker

The Graduate Association of Musicologists und Theorists (GAMuT) of the
 University
of North Texas College of Music invites submissions for "Music of the
Americas: A Transcontinental Conference," a forum for graduate students,
which will be held on February 24, 2007 in Denton, Texas.  J. Peter
Burkholder of Indiana University will be the keynote speaker.

Graduate students in the areas of music theory, music history, and
ethnomusicology are encouraged to submit proposals for papers that address
music within the context of one or both American continents.  While all
submissions are welcome, special consideration will be given to those papers
that explore historiography, the role of music in national projects, and/or
the musical construction or projection of self-image in the Americas.  Paper
presentations will be twenty minutes long followed by ten minutes of
discussion.  Proposals for other kinds of sessions are welcome.

Please submit a proposal abstract of 300 words or less, along with the paper
title, author's name, school affiliation, degree program, and contact
information (phone and e-mail required), to one of the following addresses:

UNT College of Music

attn: Jackson Ross Best, Jr.

PO Box 311367

Denton, TX 76203-1367

E-mail: Gamut at music.unt.edu

All submissions must be received by no later than January 7, 2007.  No
materials will be returned. Proposals need to represent the thesis and
content of the paper as clearly and thoroughly as possible.  Please e-mail
Randy Kinnett, Program Coordinator, at <frk0004 at unt.edu> with any
questions. For more information about GAMuT, please visit our website

(https://web3.unt.edu/the/gamut.php?gamut=index).

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5 -          CONCURSO: Professor Assistente (Ritmica / Percussao Erudita),
UNICAMP (02-26/Jan/2007 - Campians, SP, BRASIL)

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From: usuarios-bounces em iar.unicamp.br [mailto:
usuarios-bounces em iar.unicamp.br] On Behalf Of Departamento de Musica

Sent: quarta-feira, 20 de dezembro de 2006 16:10

Subject: [Usuarios] Processo Seletivo URGENTE!

PROCESSO SELETIVO PARA CONTRATACAO EMERGENCIAL DE DOCENTE

JUNTO AO DEPARTAMENTO DE MUSICA/IA/UNICAMP

O Departamento de Musica do Instituto de Artes da Universidade Estadual de
Campinas - UNICAMP torna publico que estarao abertas no periodo de 02 a
26/01/2007 o Processo Seletivo para Provimento de Funcao de Professor
Assistente, categoria MA-I, nivel A, em Regime RTC, na Carreira do
Magisterio Artistico, nas areas de Fundamentos Teoricos da Artes e Praticas
Interpretativas, nas disciplinas: MU-058 - Ritmica I; MU-059- Ritmica II;
MU-060 - Ritmica III; MU-061 - Ritmica IV; MU-062 - Ritmica V; MU-063 -
Ritmica VI e MU-192- Percussao Erudita I; MU-292 -  Percussao Erudita II;
MU-392 - Percussao Erudita III; MU-492 - Percussao Erudita IV;  MU-592 -
Percussao Erudita V;  MU-692 - Percussao Erudita VI;  MU-792 - Percussao
Erudita VII;  MU-892 - Percussao Erudita VIII, de acordo com a Resolucao GR
no. 48/2003.

O processo seletivo de que trata o presente edital far-se-a consoante com os
seguintes objetivos:

1) A contratacao emergencial vigorara de marco a junho de 2007;

2) Requisitos minimos exigidos: Profissional atuante na area, comprovado.
Dar-se-a preferencia a candidatos com experiencia de ensino.

3) A Comissao examinadora podera optar por uma pre-selecao, baseada
exclusivamente no curriculum vitae, caso o numero de inscritos seja elevado.

4) Constara das seguintes provas: a) Analise de curriculum vitae; b) Prova
Pratica de Percussao Erudita: duas pecas de livre escolha de curta duracao
em combinacoes instrumentais distintas (maximo de 20 minutos); c) Prova
didatica sobre ritmica: tema "Ensino de leitura basica de ritmica" (maximo
de 45 minutos); d) Entrevista.

5) As inscricoes deverao ser feitas na Secretaria do Departamento de Musica
do Instituto de Artes da UNICAMP, sito a rua Elis Regina, 50 - Cidade
Universitaria "Zeferino Vaz" - Barao Geraldo - Campinas - Sao Paulo, das 9
as 16h, de segunda a sexta-feira, dentro do prazo indicado, por meio de
requerimento contendo nome, idade, filiacao, naturalidade, estado civil,
domicilio e profissao dirigido ao Chefe do Departamento de Musica do
Instituto de Artes, acompanhado dos seguintes documentos: a) documentos de
identificacao (RG, CPF e Titulo de Eleitor); b) comprovacao dos titulos
academicos ou profissionais pertinentes a area, dos quais e portador; c)
quatro exemplares do curriculum vitae contendo as atividades realizadas, em
que sejam comprovados os trabalhos publicados, atividades profissionais e
demais informacoes que permitam cabal avaliacao dos meritos do candidato.

6) As provas realizar-se-ao nos dias 31 de Janeiro e 1o. de Fevereiro de
2007, no Departamento de Musica do Instituto de Artes da UNICAMP.

Quaisquer outras informacoes poderao ser obtidas na Secretaria do
Departamento de Musica do Instituto de Artes da UNICAMP.

Luiza

Dept. de Musica

IA - UNICAMP

3521-7485

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6 -          CONCURSO: "Gianni Bergamo Classic Music Award" (30/Abr/2007 -
Lugano, SUICA)

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From: Info GIANNI BERGAMO AWARD

Sent: Friday, November 17, 2006 8:09 AM

Subject: Competition for Composers

Besides sponsoring initiatives in humanitarian, scientific, medical and
ecological fields, the Foundation for public utility ACCENTUS supports
cultural projects in particular.

The GIANNI BERGAMO CLASSIC MUSIC AWARD was created within this Foundation
with the aim of discovering and encouraging new young talent in the
different sectors of classical music.

Maestro Gianni Bergamo wished to start this Competition hoping that it will
become a reference point and a solid support for talented young musicians
from all over the world.

The Competition will cyclically take place in the following fields:
composition, instrument/voice and chamber music. The winners of the
competition for composers - whose winning pieces will be performed in a
concert by the ensemble recherche - will be given the task of composing the
compulsory pieces for the next instrumental and chamber music competitions.

For 2007, the GIANNI BERGAMO CLASSIC MUSIC AWARD

announces a competition for composition with 3 prizes of Euro 13'000.- each.

Deadline for application: 30 April 2007.

For detailed information about the terms of participation, visit the website

www.giannibergamoaward.ch or contact directly:

GIANNI BERGAMO CLASSIC MUSIC AWARD

Competition Office

c/o Conservatorio della Svizzera italiana

via Soldino 9

CH-6900 Lugano (Svizzera)

Tel. +41 (0)91 930 40 44

Fax +41 (0)91 930 40 41

info em giannibergamo.ch

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7 -          CONCURSO DE COMPOSICAO: Sayat Nova 2006. HERNAN DARIO PALMIERI
(ARGENTINA), 3o. Premio (17/Dez - Paris, FRANCA)

********************************************

From: christian erbsloh [mailto:christianerbsloh em yahoo.fr]

Sent: domingo, 17 de dezembro de 2006 10:51

Subject: palmares concours international de composition musicale Sayat Nova
2006

Je vous prie de bien vouloir trouver ci-joint des informations relatives au
palmares du concours international de composition musicale Sayat Nova 2006
organise par l'Union Generale Armenienne de Bienfaisance, Section France.

Ce concours, coordonne par Christian Erbsloh, a vu trois laureats
recompenses :

1er PRIX (2 500E) : Artur AKSHELYAN, 22 ans, Armenie,  pour Pray

2e PRIX (1 500E) : Gregoire LORIEUX, 30 ans, France, pour  Memoire Plein
Etoile

3e PRIX (1 000E) : Hernan Dario PALMIERI, 28 ans, Argentine,  pour Suite
Armenienne

Le Jury etait compose de Marie-Madeleine KRYNEN, Paul MEFANO, Alexandros
MARKEAS, Vahan MARDIROSSIAN et Jean-Pierre NERGARARIAN.

Les oeuvres laureates ont ete enregistrees par l'Orchestre de Chambre de la
Diaspora Armenienne (OCDA-Paris)

La ceremonie de remise des Prix a eu lieu le 9 Decembre 2006, dans les
salons du Grand Hotel Intercontinental de Paris, dans le cadre des
celebrations du centenaire de l'Union Generale Armenienne de Bienfaisance.

Vous pourrez trouver l'ensemble des informations relatives a ce concours
sous l'adresse suivante :

http://sayatnova2006.ocda.eu

ainsi que sur :

http://www.ugab.info/100/SayatNova2006.html

Christian ERBSLOH

PS.: n'hesitez pas a me contacter si vous desirez des informations
complementaires :

+33 (0)6 16 91 04 45

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8 -          CONCURSO DE COMPOSICAO: "Quinteto Amizade". NIKOLAI ALMEIDA
BRUCHER, vencedor (17/Dez - Brasilia, DF)

********************************************

From: Quinteto Amizade [mailto:quinteto.amizade em gmail.com]

Sent: domingo, 17 de dezembro de 2006 12:47

Subject: Resultado do Concurso de Composicao Quinteto Amizade 2006

O Quinteto Amizade tem alegria de anunciar a seguinte premiacao de seu
concurso de composicao 2006:

Vencedor: "Vibracoes Variantes" de Nikolai Almeida Brucher

Mencao honrosa para 3 musicas:

* "Plisse" de Helio Bacelar Viana

* "Mais em Brasa" de Claudia Castelo Branco

* "Irura" de Vicente Jose Malheiros da Fonseca

O recital de premiacao sera confirmado em breve, previsto para a segunda
quinzena de fevereiro (depois do carnaval).

As composicoes foram muito variadas no estilo e nas exigencias tecnicas. Por
isso, o grupo preferiu tomar tempo, ponderar e divulgar o resultado apos o
consenso. O fator predominante na decisao foi a viabilidade de execucao
somada as qualidades artisticas.

Todas as partituras serao doadas as universidade de Brasilia e da Oradea
(Romenia). As partes, em apenas uma via, irao para Oradea, onde ha maior
oportunidade de divulgacao internacional.

Parabens a todos os participantes! O Quinteto Amizade esta aberto a novas
propostas e sugestoes para as proximas temporadas.

Quinteto AMIZADE,

Zoltan Paulini.

Informacoes completas em:

http://concurso.MusicaErudita.com

Dear Composers,

The Quinteto Amizade announces the result of the composition competition:

Winner: "Vibracoes Variantes" of Nikolai Almeida Brucher

Honor mention to 3 pieces:

* "Plisse" of Helio Bacelar Viana

* "Mais em Brasa" of Claudia Castelo Branco

* "Irura'" of Vicente Jose' Malheiros da Fonseca

The concert will be confirmed soon, scheduled for the end of February 2007.

The works were quite different in style and technical requirements, so the
ensemble has decided to take time, weigh up and announce the result after
consensus.

All scores will be donated to the universities of Brasilia and Oradea
(Romenia), where there is more opportunity for international promotion.

Congratulations for all participants! The Quintet AMIZADE always welcomes
new suggestions and proposals for next seasons.

Quinteto AMIZADE,

Zoltan Paulini.

http://competition.MusicaErudita.com

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9 -          CONCURSO DE COMPOSICAO: "Prof. IVAN SPASSOV" (31/Out/2007 -
Plovdiv, BULGARIA)

********************************************

From: Vasilka Spassova [mailto:spassov em mail.com]

Sent: sexta-feira, 29 de dezembro de 2006 07:01

Subject: conkurs

"Prof. IVAN SPASSOV" FOUNDATION

PLOVDIV

Academy of Music, Dance and Fine Arts

Bulgaria, Plovdiv - 4000;  T. Samodumov Str. 2

phone:+359/32/628 311, fax:+359/32/631 668

e-mail: spassov em mail.com; www.ivanspassov.hit.bg

The Composition Competition in the name of the eminent Bulgarian composer
and conductor Prof. Ivan Spassov will take place in Plovdiv from November,
23 - 25, 2007 under the honorary patronage of the Minister of Culture.

REGULATIONS

 I. Participation Requirements

1. Candidates with no restriction of age and nationality can apply for the
competition.

2. The competition is being held in two categories:

Category A: Symphonic composition - in multiple movements (symphony,
instrumental concerto, etc.) or in one movement (fantasy, overture, etc.)

Category B: Vocal composition - for a male or female voice with
accompaniment (piano, another instrument or chamber formation).

NB!: The duration of each composition - up to 30 minutes.

3. Each candidate can submit up to two compositions in one and the same
category or one composition in each category.

4. The candidates should send not later than October 31, 2007 (according to
the postmark) the following materials together in a package:

a) the competition composition(s) and the CD recording(s) in a sealed
envelope

b) a sealed non-transparent envelope in which had been placed a piece of
paper with the candidate's name

c) a sealed envelope containing an application form (after the enclosed
pattern) and a document for prepaid participation fee at the amount of 50  E
to the bank account:

Foundation "Prof. Ivan Spassov"

HEBROSBANK, Plovdiv, Bulgaria

SWIFT BIC Code ACBPBG2P

BAE Code ACBP7527

IBAN BG41 ACBP 7527 1454 6885 11     ( E)

IBAN BG33 ACBP 7527 1454 6885 10     ($)

Via: DEUTSCHE BANK, COMMERZBANK, BANK AUSTRIA

5. The competition is anonymous.

On the envelopes and on the musical scores of the compositions there must
not be any marks revealing the anonimity.

6. The package with the materials (described in item 4) should be sent to
the following address:

Attn. Mr. Svetoslav Karagenov

- for the Composition Competition

Academy of Music, Dance and Fine Arts

2, Todor Samodoumov str.

4000 Plovdiv, BULGARIA

The Executive Committee does not take upon the commitment to send back the
submitted materials by the candidates.

In case the candidate renounces participation in the competition, the
participation fee is not refundable.

II. The Jury:

1. The submitted compositions will be appraised by a jury of prominent
Bulgarian composers.

2. The Jury will keep strictly to the Regulations approved by the Executive
Committee.

3. The Jury is entitled not to award all the announced prizes.

4. The decisions of the Jury are final and not subject to appeal.

III. Prizes:

1. The prizes for each of the categories are:

First Prize:      500  E

Second Prize:  350  E

Third Prize:    200  E

The Special Prize of the Municipality Council Pazardzhik

2. Some other prizes (of foundations, private persons etc.) can be awarded
by the decision of the Jury.

3. The Executive Committee subserves for the performance of the prize
compositions as well as for their inclusion within the programme of the
Festival "Winter Musical Evenings Prof. Ivan Spassov",  Pazardzhik.

Sample  APPLICATION FORM

for participation in the Fourth

International Competition for Composers

"Prof. Ivan Spassov"

November 23-25, 2007,

Plovdiv

(first name, middle name, family name)

(date and place of birth)

(nationality)

(correspondence address)

(telephone)

(fax)

 (e-mail)

I accept the conditions in the Regulations of the competition.

(date)                                         (signature)

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10 -    CURSOS: Accademia Superiore "Citta della Musica e del Teatro" (2007
- Pescara, ITALIA)

********************************************

From: Fabio Luz [mailto:fabioluz em aliceposta.it]

Sent: sexta-feira, 22 de dezembro de 2006 13:31

Subject: chamada para inscricoes - regul. em port.

ACCADEMIA SUPERIORE "Citta della Musica e del Teatro"

 Pescara - anno accademico 2007

www.cittadellamusicaedelteatro.com

Direttore artistico : Franco Mezzena (www.mezzena.com)

Accademia Internazionale di Alto Perfezionamento e Post Laurea per pianisti
e formazioni con pianoforte dal duo al sestetto in corsi triennali, annuali,
monografici e seminari.

Coordinatore pianistico :  Fabio Luz (www.fabioluz.eu)

(Traducao do regulamento:)

Os participantes terao ocasiao de enfrentar leituras de obras classicas,
modernas e contemporaneas do repertorio italiano, europeu e panamericano, a
fim de ampliar seus recursos tecnico-esteticos inerentes ao instrumento e
potencializar suas possibilidades no campo profissional concertistico e
academico.

Aberto as formacoes do duo ao sexteto, o curso de piano em formacoes de
camera assume amplitude e polivalencia sui generis, gracas a colaboracao de
varios docentes, de diversos instrumentos, de canto, inclusive de composicao
e regencia. Todos aqueles regularmente inscritos a um curso instrumental
serao orientados tanto individualmente quanto nos grupos escolhidos de
acordo com o programa experimental personalizado para o proprio
aperfeicoamento e o eventual interesse em participar de festivais, concursos
internacionais, etc.

Programa para admissao aos cursos trienal e anual:

* Uma Sonata de um dos seguintes autores: Clementi, Beethoven, Haydn,
Mozart, Schubert

* Uma obra importante de autor romantico ou pos-romantico (duracao minima:
10')

* Uma obra de livre escolha, composta depois de 1904

Programa trienal:

Para cada ano de curso, do aperfeicoamento a pos-graduacao, serao definidos
programas especificos que compreenderao todo o repertorio de D. Scarlatti e
J.S. Bach aos nossos dias; levando em conta as tendencias, potencialidades e
os objetivos de cada aluno, no interesse de uma formacao profissional a mais
ampla possivel. Tais programas serao levados a efeito atraves da preparacao
no ano academico de pelo menos um Recital (de no minimo 1 hora de duracao),
um concerto para piano e orquestra e uma atuacao em musica de camera.

O ano academico podera ser articulado em quatro fases (ou stages de tres
dias) bimestrais ou em duas fases (ou stages de sete dias) semestrais, cada
uma motivada a obtencao de um numero pre-estabelecido de creditos. A
primeira fase sera imediatamente consequente a admissao, ocasiao na qual
sera dada possibilidade aos candidatos eventualmente nao admitidos de
frequentar os cursos em qualidade de ouvintes ate a fase sucessiva, quando
poderao re-apresentar-se para admissao. Tanto os exames de admissao quanto
os de fim-de-ano serao abertos ao publico. Como complemento da atividade
didatica, solistas e formacoes cameristicas serao oportunamente convidados a
tomar parte em concertos e acontecimentos propostos pela Escola.

Programa anual, monografias e seminarios:

serao definidos segundo as proprias tendencias, potencialidades e objetivos
de cada aluno, e irao tratar com particular interesse do repertorio
pianistico do inicio do sec. XX ate os nossos dias, tendo sempre conclusao
com pelo menos uma performance publica.

Relativamente a monografias e seminarios, a admissao podera ser pedida por
simples forma escrita, acompanhada de curriculum vitae e carta de
apresentacao.

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11 -    CURSO DE ESPECIALIZACAO: Educacao pela Arte com Enfase em Inclusao,
Universidade do Vale do Sapucai (01/Fev/2007 - Pouso Alegre, MG, BRASIL)

********************************************

From: antonio celso ribeiro [mailto:antoniocelsoribeiro em oi.com.br]

Sent: sexta-feira, 15 de dezembro de 2006 20:31

Subject: curso de lato sensu em educacao pela arte com enfase em inclusao

A UNIVERSIDADE DO VALE DO SAPUCAI SITUADA EM POUSO ALEGRE, MG ABRE
INSCRICOES PARA SEU CURSO DE ESPECIALIZACAO EM EDUCACAO PELA ARTE COM ENFASE
EM INCLUSAO (LATO SENSU)

Publico alvo:

Para profissionais de nivel superior, docentes e graduados e licenciados da
area de educacao artistica, musica, teatro, cinema, fotografia, video,
design, artes visuais, comunicacao, e publicidade. Pesquisadores e
educadores da area de ciencias humanas, interessados em aprofundar
compreensao dos conceitos teoricos e praticos na area das Artes Visuais e
Sonora. Este curso direciona-se tambem para professores do Ensino
Fundamental e Medio, educadores que trabalham com inclusao ou em escolas de
educacao especial, graduados na area de Humanas e tecnologos em Artes
Plasticas e Musica, com enfase na metodologia do ensino da arte. Poderao
participar ainda profissionais de outras areas que lidem com educacao
informal nas areas de saude ou social, como professores e profissionais da
area de Letras, Danca, Psicologia, Enfermagem, Fisioterapia, e etc.

OBJETIVO: Capacitar e qualificar profissionais com formacao de nivel
superior para uma atuacao aprimorada no ambito da educacao pela arte,
formando educadores e professores aptos a trabalharem com educacao
inclusiva, procurando levar os formandos a ultrapassar o antigo paradigma de
uma educacao centrada exclusivamente nos conhecimentos, substituindo-o pelo
paradigma objetivado nas capacidades e competencias.

Unidades de Ensino: I Metodologia do Ensino e da Pesquisa, II Artes Visuais,
III Artes Sonoras, * Unidade especial: Monografia e Estagio.

Vagas: Serao oferecidas 40 (quarenta) vagas.

Carga horaria: 480 horas-aula.

As inscricoes e matriculas serao realizadas na Secretaria de Pos-graduacao
da UNIVAS ate o dia 01/02/2007. Falar com Fabiana (35) 3449-2117

Av. Prefeito Tuany Toledo, 470, Bairro Fatima I, Pouso Alegre, CEP
37550-000.

Tempo de realizacao: 15 meses, com 32 finais de semanas, com recesso nos
periodos de ferias dos docentes.

Horario de realizacao do curso: As sextas-feiras, de 19h as 22h30 e aos
sabados de 7:30 h as 12:00 e das 13:30 h as 17:00 h a cada 15 dias.

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12 -    MASTERCLASSES: EDSON ELIAS (piano). (Abr, Jul e Ago/2007 - Paris,
Nancy, Courchevel, FRANCA)

********************************************

From: edson elias [mailto:edson_elias em hotmail.com]

Sent: sabado, 16 de dezembro de 2006 23:04

Subject: FW:

Prochains stages en France

Next masterclasses in France

du 7 au 15 avril 2007 - PARIS - Stage de Paques - contactez-moi SVP pour
avoir les details.

>From April 7 to 15, 2007, Easter Masterclass in Paris. Please contact me for
further information: edson_elias em hotmail.com

du 15 au 25 juillet 2007 - Stage de NANCY

>From July 15 to 25, 2007 - NANCY Masterclass Contact: http://www.rmlor.com/

du 31 juillet au 11 aout 2007 - Stage de COURCHEVEL

>From July 31st to August 11, 2007 - COURCHEVEL Masterclass. Contact:
http://www.festivalmusicalp.com

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13 -    ONLINE JOURNAL: "Gamut", Music Theory Society of the Mid-Atlantic -
http://newfoundpress.utk.edu/gamut (Dez/2006 - Knoxville, TN, EUA)

********************************************

From: anppom-l-bounces em iar.unicamp.br [mailto:
anppom-l-bounces em iar.unicamp.br] On Behalf Of carlos palombini

Sent: segunda-feira, 18 de dezembro de 2006 16:57

Subject: [ANPPOM-L] new online music-theory journal

It is my pleasure to announce the launch of a new online music-theory
journal, Gamut, of the Music Theory Society of the Mid-Atlantic.  Please
click on the following link for more information.

http://newfoundpress.utk.edu/gamut

Philip Ewell, Ph.D.

Editor, Gamut

Assistant Professor

University of Tennessee

School of Music

1741 Volunteer Blvd

Knoxville TN 37996

www.philipewell.com
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